MICKEY BAKER BOOK
Mickey Baker's Complete Course in Jazz Guitar: Book 2. +. Mickey Baker's Jazz Guitar (Guitar Books). Total price: $ Add all three to Cart Add all three to. Neither book is for beginners and both books require a considerable amount of discipline to get the best from. I have given both five stars. And there, to my mind, . "Mickey Baker's Complete Course in Jazz Guitar - Book 1" In Mickey Baker, an aspiring guitarist and guitar teacher, published a guitar course called.
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Mickey Baker's Jazz Guitar - Free download as PDF File .pdf) or read online for free. Guitar Book Pat Martino Linear Expressions. Uploaded by. wak2 · Mickey . I have just purchased Mickey Baker's Book #1 and I am looking forward to .. I bought Mickey Baker's Jazz Guitar Books (1 &2) around Mickey Baker's Complete Course in Jazz Guitar book. Read 2 reviews from the world's largest community for readers. (Ashley Publications). A method in how.
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Nov 16, Luc rated it it was amazing. Great book but really hard to understand for the beginner. I needed a teacher for it.
Sep 18, Serge Pierro rated it liked it Shelves: An old classic. The first half of the book covers chords, while the second half deals with melodic runs.
Geoff rated it really liked it May 29, Jeffrey Benko rated it it was amazing Apr 28, Abraham Engle rated it it was amazing Jan 09, Chris Campbell rated it it was amazing Mar 22, Neal rated it it was amazing Oct 07, Allen Butler rated it it was amazing Dec 20, David Caton rated it really liked it Nov 19, Art rated it it was amazing Oct 25, Bicycle rated it it was amazing Nov 30, Dante rated it it was amazing Nov 24, Sonny rated it liked it Jan 01, Christian Hernandez rated it really liked it Oct 24, Andrew rated it liked it May 31, Jim rated it really liked it Apr 15, Maybe this is what people are referring to when they criticize the book as being dated.
However, I see this as a non-issue. Any 5 or 6 note chord can be reduced to a 3 note shell voicing. However, there are occasions when a big, lush chord is called for.
Not Enough Explanation There is very little theoretical explanation of anything in this book. That should certainly please the anti-music theory crowd; and motivate those interested in music theory to put on their thinking caps. The objective is for you, the student, to get the chord shapes, progressions, and lines under your fingers. And, more importantly, to get the sound of these progressions and lines into your ears and put them to practical use ASAP.
I think this is the way many of the old-timers learned back in the day. They learned by listening, watching, and copying what they heard and saw. They got tips from the more experienced musicians they played with.
Then they took all this information and explored, experimented, and discovered things on their own. I know I could certainly benefit from more exploration, experimentation, and self-discovery instead of always depending on tabs.
He makes you work too hard This is not a passive book where you just play what he shows you as a series of exercises. He expects you to put this material to practical use right now.
Half way through part one he tells you to start applying his chord substitutions to actual songs on your own. In part two he gives you a couple of bars of a solo and has you fill in the next couple of bars with your own ideas.
Then he gives you a couple of more bars and you fill in again. In other words he forces you to think, work, and apply what you are learning — not when you finish the book, but right now as your working through it.
This is where many of us fail. We skip over the hard stuff. We get distracted by the shiny object over there thinking that the secret to becoming a good guitarist is in that other book or video course.
Not enough chords are presented Only a petty, pedantic, pinhead would say something like this.
Mickey Baker gives you 5 major 7th shapes, 13 dominant 7th shapes including altered 7ths , 2 to 4 different shapes for major 6th, minor 6th, minor 7th, minor 11th, minor 9th, and diminished 7th. There are 33 chords in total and several can function as more than one chord. For example, the Gmaj6 3 x 2 4 3 x x is also a 1st inversion of an Emin7 and a rootless Cmaj9 with the 5th in the bass. As Joe Pass pointed out, there are only 3 chord types — major, minor, and dominant.
My role in this project is as a fellow student and hub for the website distribution. Where you buy it is your personal choice.
I have no additional copies other than my copy I bought in I do not have any financial interest in TablEdit. To the best of my knowledge, the only place one can obtain TE is directly from its creator.
By clicking on any of the hyperlinks in this introduction or the link at the bottom of the page, you will be taken to the TablEdit website. As "students" you're on your own to put as much into it as you desire.
I've done all the transposing for you. All you have to do is play along.
52 lessons divided into 2 sections
Later in the course, short original solos are created. Since most are much less than 16 measures, they can be created using the Shareware version of TablEdit.Where we students are asked to create original material from the exercises in the lessons, I've given my personal work as student participation, and I invite any and all students to send me theirs to include with the lessons.
It makes the difference. I have been getting a lot of mileage out of some of the second book material lately. And really 2 hours a day.
It's a little harder to do using Drumbler's Form, but please don't take that as a criticism. If I tilt the hand down to play the high E the ring finger deadens the B string, if I tilt my hand up, the high E doesn't sound.
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